On January 28 and 29 2023, the St. Louis Symphony premieres James Lee III’s newest orchestral work Visions of Cahokia. Commissioned by the orchestra, the 13-minute work is scored for: 2 flutes; 2 oboes; 2 clarinets; 2 bassoons; 4 horns; 3 trumpets; 2 trombones; bass trombone; tuba; timpani; 3 percussion; harp and strings. Stéphane Denève […]
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Composer’s Corner: William McClelland
Welcome back to “Composer’s Corner,” Subito Music’s series of informal composer talks. This editions highlights William McClelland whose music is represented by Subito Music Distribution (SMD) (a division of Subito Music). (The SMD program is Subito’s distribution service for independent, self-published composers.) The Michigan-native is a composer, pianist, conductor, educator and producer who studied at […]
Silverman: Reaching the End of the Dance
“I’m very much looking forward to performing the premiere of Faye-Ellen Silverman’s new work Reaching the End of the Dance.” And so, cellist Kate Dillingham introduces us to the composer’s new five-minute, one-movement work for cello solo. Presented by Composers Concordance, the performance is part of the group’s “Radical Other” program will also feature choreography […]
Galbraith: A Terrific Work
“[The] Seattle Collaborative Orchestra is thrilled to be performing Nancy Galbraith’s terrific work, Euphonic Blues.” So enthuses Anna Edwards – music director of the Seattle Collaborative Orchestra – on the eve of the ensemble’s November 15 performance of Galbraith’s work, at the Shoreline Center Auditorium in Shoreline, WA. The one-movement, ten-minute work premiered in September […]
Moravec: A Nation of Others Premieres
“In no time, no time at all, Antonia, you will be where I am. Standing on the deck of a boat approaching a new land, approaching America.” — Mark Campbell, librettist, from A Nation of Others On November 15, 2022, the Oratorio Society of New York offers the world premiere of Pulitzer Prize-winner Paul Moravec’s […]
Lee: A Rhapsodic Celebration
“Beyond Sensorial Portals is a rhapsodic orchestral work that can also be summarized with one word — celebration!” And so, composer James Lee III introduces his new work, which premieres on November 12, 2022, performed by the Orlando Philharmonic Orchestra. Music director Eric Jacobsen conducts the 11-minute concert-opener which was commissioned by the orchestra for […]
Locklair: A Feast for the Soul
“Dan Locklair’s Requiem is a feast for the soul as well as for the ears.” And so, Christopher Gilliam, music director of the Winston-Salem Symphony Chorus, invites us to learn more about Locklair’s work as the orchestra prepares to perform it on October 30 at Wake Forest University. The nine-movement, 45-minute work premiered on November […]
Abels: Omar in LA – Director’s Cut
Welcome back to our short series leading up to the Los Angeles Opera’s West Coast premiere of Michael Abels’ opera Omar, co-composed with Grammy winning-artist and librettist Rhiannon Giddens. The opera tells the story of historical figure Omar Ibn Said, who was an 18th century West African scholar (from modern-day Senegal) who was captured by […]
Abels: Omar in LA – Librettist Voice
As we approach the Los Angeles Opera’s West Coast premiere of Michael Abels’ opera Omar, we check-in with Grammy-winner Rhiannon Giddens. Giddens co-composed original music for Omar and also wrote the opera’s English-language libretto. Omar was commissioned by the Spoleto Festival USA (Charleston, SC) and received its premiere in May 2022. The opera is scored […]
Abels: Omar Goes to LA
On October 22, 2022, the Los Angeles Opera presents Michael Abels’ opera Omar, in its second performances following the opera’s May 2022 premiere which took place at the Spoleto Festival USA in Charleston, SC. Commissioned by Spoleto Festival USA and Carolina Performing Arts, Omar was co-composed with Grammy-winning musician and librettist Rhiannon Giddens. The two-act […]
