Moravec: Lush and Colorful

“Paul Moravec’s orchestral score for his opera The Shining is lush, colorful, and totally evocative of the drama throughout.” On the eve of the South Dakota Symphony’s April 7 performance of Moravec’s The Overlook Hotel Suite, music director Delta David Gier offers a glimpse into the composer’s musical language and imagination. The Shining was commissioned […] Read more »

Locklair: Noel’s Psalm Premieres

On March 25, organist Robert Parkins premieres Dan Locklair’s new work Noel’s Psalm (A Sonata for Organ), as part of Duke University’s Duke Chapel Organ Recital Series. The four-movement, 14-minute work was commissioned by Rebeccah Neff in memory of her brother, Dr. Noel J. Kinnamon, a distinguished professor of English literature at Mars Hill University […] Read more »

Sierra: Always Fascinating

“Antonio Soler’s ‘Fandango’ for keyboard has always fascinated me.” Composer Roberto Sierra shares his creative insight into his popular work Fandangos, as the Wichita Symphony prepares to present it on February 17 and 18. Music director Daniel Hege conducts the work on the orchestra’s “Classics” series. The 12-minute piece was commissioned by the National Symphony […] Read more »

Moravec: Profoundly Rewarding

“Paul Moravec’s Mass in D [is a] demanding piece [that is] profoundly rewarding.” Bach Festival Society (Winter Park, FL) music director Dr. John Sinclair shares some thoughts about Moravec’s music before the ensemble’s upcoming February 17 portrait concert. The program also features two additional choral works: I Will Fear No Evil and Songs of Love and War. […] Read more »